Praise song

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  1. Artist(s): Kipsigis men (Performer) | Composer: Kepkoske Arap Chepkwony (Performer)Kepkoske Arap Chepkwony (Composer) | 1950/09/15 | Chepkongo lyre, Chepkwony,Kepkoske Arap, East African, Indigenous music, Kenya, Kericho, Kipsigis, Kipsigis, Kipsigis, Praise song, ILAM | Further details refer ILAM field card number: D6L-1
  2. Artist(s): Kepkoske Arap Chepkwony with Kipsigis men | 1950/09/15 | Bowl lyre, Chepkongo bowl lyre, Chepkwony,Kepkoske Arap, East African, Indigenous music, Kenya, Kipsigis, Kipsigis, Kipsigis, Praise song, Vocal, ILAM | A praise song with a Chepkongo 6 string bowl lyre. The player flips the bridge of the lyre with a finger tip as he plays. The song is largely a repetition by the chorus of the words "olei yo lalei yo" a kind of "Hey - nonny - nonny."The singer also brings into his song the names of many places he has visited and likes in common with his audience.Both Kipsigis and Nandi are noted for their patriotism, their love of country as such, which they frequently express in song. This is comparitively rare with Bantu people who do not, as a rule, praise the beauty of the countryside and are mostly insensitive to scenery. Details from ILAM field card number: D6L 1
  3. Artist(s): Kipsigis men (Performer) | Composer: Kepkoske Arap Chepkwony (Performer)Kepkoske Arap Chepkwony (Composer) | 1950/09/15 | Bowl lyre, Chepkongo bowl lyre, Chepkwony,Kepkoske Arap, East African, Indigenous music, Kenya, Kipsigis, Kipsigis, Praise song, Vocal, ILAM | Further details refer ILAM field card number: D6L 1
  4. Artist(s): Gogo men (Performer) | Composer: Madeje Matengo (Composer/Performer) | 1950/06/17 | Dodoma, East African, Flute, Gogo, Gogo, Madeje Matengo, Mulanzi, Praise song, Tanganyika, Tanzania, ILAM | Nindo praise song. Further details refer ILAM field card (D2X15)
  5. Artist(s): Gogo men and women (Performer) | Composer: Madeje Matengo (Composer/Performer) | 1950/06/17 | Dodoma, East African, Folk music, Gogo, Gogo, Indigenous music, Madeje Matengo, Praise song, Tanganyika, Tanzania, Unaccompanied, ILAM | Nindo praise song. Further details refer ILAM field card (D2X12)
  6. Artist(s): Gogo men and women (Performer) | Composer: Madeje Matengo (Composer/Performer) | 1950/06/17 | Dodoma, East African, Folk music, Gogo, Gogo, Indigenous music, Madeje Matengo, Praise song, Tanganyika, Tanzania, Unaccompanied, ILAM | Nindo praise song. Further details refer ILAM field card (D2X12)
  7. Composer: Group of women from Societe Sami (Performer) | 1949/07/05 | Belgian Congo, Central African, Choral music, Congo, Democratic Republic of the Congo, Ngala, Praise song, Societe Sami, ILAM | Praise song by choir of womenFurther details refer ILAM field card (C2S12)
  8. Composer: Batwa women (Performer)Composer not specified | 1952/07/15 | Batwa, Central African, Clapping, East African, Folk music, Indigenous music, Praise song, Ruanda, Rwanda, Shangugu, Urundi, ILAM | Further details refer ILAM field card number: F3V 1
  9. Composer: Joshua Mzee Adhiembo (Performer)Composer not specified | 1952/09/28 | Accordion, concertina, Eldoret, Indigenous music, Joshua Mzee Adhiembo, Kenya, Luo, Nangili, Olang, Praise song, Southern African, Struck iron, ILAM | Further details refer ILAM field card number: F5B 9
  10. Composer: Kinutit Arap Ng'asura (Performer and Composer) | 1950/09/15 | East African, Kenya, Kericho, Kipsigis, Ng'asura,Kinutit Arap, Praise song, ILAM | Further details refer ILAM field card no. D6L5.

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