Traditional music
Artist(s): N Makanya (Leader)The Bantu Glee Singers (Performer) |
Composer: N MakanyaThe Bantu Glee Singers |
1900-01-00 |
Bantu Glee Singers, Choral music, epic, Hymn-like, Indigenous music, Makanya,Nimrod H., Piano, Popular music, South Africa, Southern African, Soweto, Traditional music, Zulu, ILAM |
Hymn-like song, identified as an 'Epic', accompanied by the piano
Artist(s): Shangaan women (Performer) |
Composer: Shangaan women |
1955/10/10 |
Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM |
Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
Artist(s): Shangaan women (Performer) |
Composer: Shangaan women |
1955/10/10 |
Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM |
Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
Artist(s): Shangaan women (Performer) |
Composer: Shangaan women |
1955/10/10 |
Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM |
Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
Artist(s): Shangaan women (Performer) |
Composer: Shangaan women |
1955/10/10 |
Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM |
Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
Artist(s): Shangaan women (Performer) |
Composer: Shangaan women |
1955/10/10 |
Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM |
Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
Artist(s): The Basuto Choir (Performer) |
Composer: The Basuto Choir |
1900-01-00 |
Basotho, Call and response, Chant like accompaniment, Choir, Indigenous music, Men singing, Part singing, Popular music, Song, Sotho, South Africa, South African, Traditional music, Unaccompanied, ILAM |
Unaccompanied song, with a solo voice accompanied by choir with repeated drone or chant-like melody.
Artist(s): Aliwal North Xhosa Choir (Performer) |
Composer: Aliwal North Sesotho Choir (Performer) |
1950-00-00 |
Aliwal North Sesotho Choir, Choir, Marabi style, men and women, Part-singing, Piano, Popular music, Secular music, Sotho, South Africa, Southern African, Traditional music, ILAM |
Marabi style song for men and women, accompanied by the piano
Artist(s): Aliwal North Sesotho Choir (Performer) |
Composer: Aliwal North Sesotho Choir (Performer) |
1900-01-00 |
Aliwal North Sesotho Choir, Choir, dance, men and women, Part-singing, Piano, Popular music, Secular music, Song, Sotho, South Africa, Southern African, Traditional music, ILAM |
Song accompanied by the piano
Artist(s): Norman Span (Leader)The Merry Makers Steel Orchestra (Performer) |
Composer: Norman SpanThe Merry Makers Steel Orchestra |
1900-01-00 |
Calypso, Caribbean, Creole, dance, Maracas, Merry Makers Steel Orchestra, Popular music, Span,Norman, Steel pans, Traditional music, Trinidad, ILAM |
Calypso dance performed on steel pans.Further details refer ILAM shellac record (commercial recordings) number: CR1002
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