Nguru

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  1. Artist(s): Two other players | Composer: Composer not specifiedNakule Nguba (Performer) | 1952/08/31 | Akpaningbo, Bandiya, Buta, Chief Gatanga, Folk - Central African, Kponingbo xylophone, Nakule, Nguru, Northern Congo, Zande, ILAM | Dance in honour of the ancestors with Kponingbo or Akpaningbo, nine loose-note zylophone. (log zylophone with keys on banana stems. The tuning corresponds in absolute pitch with that of harp strings) "Kondo natipala bako, Gatanga natipala bako, Mongo natipala nako" " The father of Kondo, The father of Gatanga, The mother of Mongo.", The tuning of the loose note xylophone is 664, 568,496, 392, 360, 332, 284, 248, 196 vs.
  2. Artist(s): Zande men | Composer: Mula Pala Kpeli (Performer)Chief Gatanga Mongonika (Performer)Composer not specified | 1952/09/02 | Central African, Chief Gatanga Mongonika, Clapping, Democratic Republic of the Congo, Folk music, Indingenous music, Mula Pala Kpeli, Nguru, Northern Congo, Topical song, Vertical angular harp, Zande, Zande, ILAM | Further details refer ILAM field card number F4W-1.
  3. Artist(s): Two other players, with dancers | Composer: Composer not specified Nakule (Performer) | 1952/08/31 | Bandiya, Chief Gatanga, Folk - Central African, Kponingbo xylophone, Nakule, Nguru, Northern Congo, Zande, ILAM | A Zande dance with Kponingbo xylophone (log zylophone with keys on banana stems. The tuning corresponds in absolute pitch with that of harp strings). "Sungi kumba wa sa gasi li Sungi akumba ai gibolo. It is a bad housewife who does not work for a husband. A woman who can't work is no good at all." These loose note xylophones are played by three and sometimes four men sitting on either side of the instrument. The Zande dance is performed in a circle to the cheerful sound of the xylophone. All the dancers move in unison with small steps in a set pattern which ensures that the circle moves around gradually in an anti-clockwise direction. A characteristic gesture by Zande dancers is the holding out of hands, palms upwards, gently raising and lowering the forearms in time with the music.

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