Dance song
Artist(s): Haya people (Performer) |
Composer: Felisiano Kamugula (Performer) |
1950-00-00 |
Dance song, Drum, East African, Felisiano Kamugula, Folk music, Haya, Haya, Indigenous music, Nyoro, Rattle, Ruyaigo dance, Tanganyika, Tanzania, ILAM |
Ruyaigo dance song for boys and girls. Further details refer ILAM record no. TP1836.
Artist(s): Haya boys |
Composer: Felisiano Karungula (Performer)Composer not specified |
1952-00-00 |
Bukoba, Clapping, Dance song, Drum, East African, Felisiano Karungula, Haya, Haya, Nyoro, Rattle, Ruyaigo dance song, Tanganyika, Tanzania, ILAM |
Further details refer ILAM record number: CR1716.
Composer: Mwenda Jean Bosco (Performer)Composer not specified |
1954-00-00 |
Belgian Congo, Bottle, Central African, Dance song, Democratic Republic of the Congo, Guitar, Guitar solo, Indigenous music, Jadotville, Mwenda,Jean Bosco, Swahili, Tambala moja, ILAM |
Further details refer ILAM record number: CR2579.
Composer: Sotho dancers (Performer) |
1951/11/06 |
Basutoland, Dance song, Folk music, Hissing, Indigenous music, Lesotho, Mohobelo, Sotho, Sotho, Sotho dancers, South Sotho, Southern African, Stamping, ILAM |
Mohobelo dance music with stamping and hissing. Further details refer ILAM field card (H1F7)
Artist(s): Johnnie Murithe Wambu (Performer)Kibunga Waita (Performer) |
1952/06/08 |
Accordion, Dance song, East African, Embu, Folk music, Indigenous music, Johnnie Murethe Wambu, Kenya, Kibunga Waita, Kikuyu, Mwamboko dance song, near Mount Kenya, Struck iron, ILAM |
A Mamboko dance song with accordian and struck iron. The "struck iron" was an old starter ring from the flywheel of a car. It is necessary to have a circular or 'S' shaped piece of metal for convenient playing of the double beat. The performer called it 'Kengere' or 'Beru' bell.The sweepers in Nairobi, they say, always come from Embu. Kibunga Waita, the iron player, was no exception. Elsewhere in Africa certain tribes tend to adopt one occupation exclusively.After hearing a few Kikuyu songs to the accompaniment of the iron and accordian, the listener who is not case hardened to the noise, may experience a singing in the ears for several hours afterwards.Listening to this kind of Kikuyu music is more a feat of endurance than an aesthetic pleasure.Further details refer ILAM field card number: F3H 3
Artist(s): Chopi men and women (Performer) |
Composer: Samuiri Oduonga (Performer)Composer not specified |
1950/08/27 |
Bunyoro, Central African, Chopi, Chopi, Dance song, Drum, East African, Folk music, Indigenous music, Kyopere dance, Paluo, Samuiri Oduonga, Uganda, ILAM |
Further details refer ILAM field card number: D5S 4
Artist(s): Chopi men and women (Performer) |
Composer: Samuiri Oduonga (Performer)Composer not specified |
1950/08/27 |
Bunyoro, Central African, Chopi, Chopi, Dance song, Drum, East African, Folk music, Indigenous music, Kyopere dance, Paluo, Samuiri Oduonga, Uganda, ILAM |
Further details refer ILAM field card number: D5S 4
Artist(s): Nhonyi Maluwatu (Leader) |
Composer: Gogo women (Performer) |
1950-00-00 |
Dance song, Dodoma, Drum, East African, Folk music, Gogo, Gogo, Indigenous music, Ngoma dance, Nhonyi Maluwatu, Tanganyika, Tanzania, ILAM |
Further details refer ILAM shellac record number: TP1544
Artist(s): Nhonyi Maluwatu (Leader) |
Composer: Gogo women (Performer)Composer not specified |
1950-00-00 |
Dance song, Dodoma, Drum, East African, Folk music, Gogo, Gogo, Indigenous music, Ngoma dance, Nhonyi Maluwatu, Tanganyika, Tanzania, ILAM |
Further details refer ILAM shellac record number: TP1544
Artist(s): Nhonyi Maluwatu (Leader) |
Composer: Gogo women (Performer)Composer not specified |
1950-00-00 |
Dance song, Dodoma, Drum, East African, Folk music, Gogo, Gogo, Indigenous music, Ngoma dance, Nhonyi Maluwatu, Tanganyika, Tanzania, ILAM |
Further details refer ILAM shellac record number: TP1545
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