South African Music Archive Project
Tonga
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For more information about each record click the Title link in the page below
Alternatively all "orange" words below are links to records which have been so tagged
- Composer: Group of Bemba boys (Performer) | 1948/05/07 | Axe, Bemba, Folk song, Indigenous music, Mapanza, Mbira, Northern Rhodesia, Southern African, Tonga, Zambia, ILAM | Folk music sung by Bemba boysFurther details refer ILAM field card (AX23)
- Artist(s): Tonga girls (Performer) | Composer: Nyamangwe, L. (Performer)Lucy Nyamangwe (Performer) | 1950/05/29 | Dance music, Folk music, Indigenous music, Malawi, Nkata Bay, Nyamangwe,Lucy, Nyasaland, Southern African, Tonga, Tonga, Unaccompanied, ILAM | Kwaya dance for young men and women with Tonga girls, unaccompanied. Further details refer ILAM field card (D2E7)
- Artist(s): Hafu Kumbani (Leader) | 1955/10/01 | Chopi, Chopi, Dance music, Hafu Kumbani, Horn, Inharrime District, Mozambique, Ngodo, Orchestra, Portuguese East Africa, Rattle, Southern African, Timbila, Tonga, Xylophone, ILAM | Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with fourteen xylophones, two rattles and one horn., Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the G'Tonga of the Inhambane District.Further details refer ILAM field card (H1K6)
- Artist(s): Shangaan women (Performer) | Composer: Shangaan women | 1955/10/10 | Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM | Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
- Artist(s): Shangaan women (Performer) | Composer: Shangaan women | 1955/10/10 | Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM | Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
- Artist(s): Shangaan women (Performer) | Composer: Shangaan women | 1955/10/10 | Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM | Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
- Artist(s): Shangaan women (Performer) | Composer: Shangaan women | 1955/10/10 | Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM | Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
- Artist(s): Shangaan women (Performer) | Composer: Shangaan women | 1955/10/10 | Ebony wood, Folk music, Indigenous music, mortar, Mozambique, pestle, Portuguese East Africa, Shangaan, Shangaan, Southern African, Tonga, Traditional music, ILAM | Song accompanied by pounding sounds from a mortar and pestle made of ebony wood. Further details refer ILAM field card number H1Q3-4
- Artist(s): Beti Kamanga (Performer) | Composer: Beti Kamanga (Performer) | 1950-00-00 | Bangwe zithe, Kamanga,Beti, Malawi, Man singing, nostalgic, Nyasaland, Song, Southern African, Tonga, topical, traditional, ILAM | Nostalgic song accompanied on the Bangwe zither. ILAM field card is unknown
- Composer: Shangaan women | 1949/05/30 | Bila, Cabo Mukoki, Dance song, Macia, Mozambique, Portugese East Africa, Shangaan, Southern African, Tonga, Wedding song, ILAM | Folk Song
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