South African Music Archive Project
ILAM
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- Artist(s): Pembe Selemani (Leader) | Composer: Zaramo men (Performer) | 1950/06/24 | dance, Daressalaam, East African, ensemble, Friction sticks, Mbeta, Pembe Selemani, Pipe, Rattle, Tanganyika, Tanzania, Zaramo, Zaramo, ILAM | Mbeta pipe dance for young men, performed on pipes, friction sticks, and tin rattle. Refer ILAM field card D3E5
- Artist(s): Zaramo young men (Performer)Pembe Selemani (Performer) | Composer: Zaramo young men (Performer)Pembe Selemani (Performer) | 1950/06/24 | Call and response, dance, East African, Folk, Friction sticks, Mbeta, Pembe Selemani, Pipes, Tanganyika, Tanzania, Tin rattles, traditional, Viyanzi vertical flute, Zaramo, Zaramo, ILAM | Pipe dance with various wind instruments accompanied by rattles and friction sticks. Refer ILAM field card number D3E5
- Artist(s): Zaramo young men (Performer)Pembe Selemani (Performer) | Composer: Zaramo young men (Performer)Pembe Selemani (Performer) | 1950/06/24 | Call and response, East African, Folk, Friction sticks, Male singing, Mbeta, Pembe Selemani, Pipes, Song, Tanganyika, Tanzania, Tin rattles, traditional, Viyanzi vertical flute, Zaramo, Zaramo, ILAM | Pipe dance with various wind instruments accompanied by rattles and friction sticks. This is a copy of the TP2474. Refer ILAM field card number D2E5
- Artist(s): Pembe Selemani and Zaramo boys | 1950-00-00 | Dar-es-Salaam, East African, Mbeta pipe dance, Selemani, Pembe, Tanganyika, Tanzania, Zaramo, ILAM | An Mbeta pipe dance with Viyanzi vertical flutes, 2 friction sticks, and tin rattles., The players start to play beginning with the pipe 3rd from the lowest. Each piper above them takes his rhythm from the next man below. If one fails to get started he holds up all the others above. The leader then comes along and gets his rhythm for him and his companions can then take up the rhythm until the treble player at last joins in., Set of 13 pipes. The tuning of this set was as follows:- 584, 320, 440, 392, 336, 292, giving a pentatonic scale. The total range was just over two octaves.
- Composer: Laura Filipe Masiya (Performer) | 1949/06/12 | Folk song, Laura Filipe Masiya, Maxixe, Mozambique, Portugese East Africa, Southern African, Tonga, ILAM | Work song
- Composer: Laura Filipe Masiya (Performer) | 1949/06/12 | Folk song, Laura Filipe Masiya, Maxixe, Mozambique, Portugese East Africa, Southern African, Tonga, Tonga women, ILAM | Walking song
- Composer: Tonga men and women (Performer)Composer not specified | 1949/06/14 | Clapping, Dance song, East African, Folk music, Indigenous music, Mozambique, Portuguese East Africa, Southern African, Tonga, Tonga, Zore dance, ILAM | Further details refer ILAM field card number: CX-1
- Composer: Group of Tonga men and women (Performer) | 1949/06/14 | Clapping, Dance music, Giguni, Guiguni, Indigenous music, Mozambique, Portuguese East Africa, Southern African, Tonga, Tonga, ILAM | Two dance songs for Zore dance with clappingFurther details refer ILAM field card (CX1)
- Composer: Military Band (Performer)Roma College Military Band (Performer) | 1951/05/21 | Band music, English, Military music, Roma College Military Band, Sotho, South Sotho, Southern Africa, Southern African, ILAM | Military Band music from Roma College. Further details refer ILAM field card (E1A12)
- Composer: Composer not specifiedAbdulala Bubuyia (Performer) | 1900-01-00 | Bubuyia,Abdulala, Central African, East African, Guitar, Indigenous music, Song, Swahili, ILAM | Further details refer ILAM record number TP0453-ABC12223
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